I'm having one of the strangest surges of emotion in my life. I'm bursting with pride, with sadness, with frustration, a glimpse of hope, a pinch of anger, and with an overwhelming topping of happiness and self-confidence. I wonder if other people are like this sometimes, or if it's just me. Seems to me that if a normal person had all these emotions at once they would explode. And I also feel as if I might explode any second - but I'm trying to keep it back, because I don't know if this explosion would take the form of laughter or choking tears. Life stretches out ahead of me, and it beckons with its inviting fingers, beckons me to better times and greener fields; but the road is lined with fear, fear of death, fear of age, fear of worse times, and withered fields. The future is a treacherous term. It should be treated with care and respect. Instead it has been hailed to the skies. "The future" is always something positive, something we should work towards and want for ourselves; but what is it really? Seconds that tick by counting down to the day we leave our bodies and this existence; seconds that fly by the older you get, seconds that are grains in the hourglass of human life and not even worthy of mention in the greater perspective of the universe.
Recently I applied for an animator's position at a local, rather successful, game development studio. I passed the first round, and got asked to do a work sample. Passing the first round was an achievement for me, seeing as it proved somebody had seen potential in my showreel, even though the reel had older material and wasn't optimally or professionally presented. With full time in school, I spent as much time on the work sample as I could, yet I told myself I wouldn't put any more time into it than I felt that I could afford. A decision thereby followed by an all-nighter before the deadline, creating animations in as little as four hours per animation. When I handed in a quarter before the deadline and stumbled exhaustedly into bed, I didn't feel achieved. What I did feel was a hunch that handing in despite the quality of the material, didn't mean I had wasted my time. And it turns out I hadn't. I didn't get the position, but I didn't expect to. What I did get, and what I didn't expect; was a written feedback on what was good in my material, and what I could have improved. Somewhere among the lines there was one line that seemed to stand out to me. The line was something like this: "It's clear that you have a good sense for animation". And this is when this email becomes good news - despite the fact that I didn't pass the second round.
Here's why.
A simple "You didn't make it" would have been convenient for the studio, but useless to me. I would know I wasn't good enough for their standards, but I would have no idea of what to improve or what to learn. A written feedback proving they have evaluated my content is generous for the studio, and useful for me. Now I know what I need to work on, and which my strengths are. Hearing this outside of a study environment, is extremely educational for me.
So I'm quite relieved my work wasn't hated, proud that they gave me positive feedback among the negative, happy that I took the chance to hand in and learning something, frustrated that I didn't put more time and effort into the sample, and finally I'm hopeful, because I know that I'll eventually learn these things, and eventually work with what I dream of working with - when I'm ready, and when I'll be needed.
I bet you couldn't guess this simple email was what caused my introductory philosophical stanza about life and the universe, now could you?
POET IN THE JAR
So you really should try. It's really funny, you have to let the brush go by itself, the hand does not have anything to do. ^^ This does not take so much time. In reality, for my part, the real probleme is to know when to stop before it looks TOO MUCH. To see more info please visit essayswriters.org/dissertation
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